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9th art : ウィキペディア英語版
Comics

a medium used to express ideas via images, often combined with text or other visual information. Comics frequently the form of juxtaposed sequences of panels of images. Often textual devices such as speech balloons, captions, and onomatopoeia indicate dialogue, narration, sound effects, or other information. Size and arrangement of panels contribute to narrative pacing. Cartooning and similar forms of illustration are the most common image-making means in comics; ''fumetti'' is a form which uses photographic images. Common forms of comics include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comics albums, and ' have become increasingly common, and online webcomics have proliferated in the 21st century.
The history of comics has followed different paths in different cultures. Scholars have posited a pre-history as far back as the Lascaux cave paintings. By the mid-20th century, comics flourished particularly in the United States, western Europe (especially in France and Belgium), and Japan. The history of European comics is often traced to Rodolphe Töpffer's cartoon strips of the 1830s, and became popular following the success in the 1930s of strips and books such as ''The Adventures of Tintin''. American comics emerged as a mass medium in the early 20th century with the advent of newspaper comic strips; magazine-style comic books followed in the 1930s, in which the superhero genre became prominent after Superman appeared in 1938. Histories of Japanese comics and cartooning (') propose origins as early as the 12th century. Modern comic strips emerged in Japan in the early 20th century, and the output of comics magazines and books rapidly expanded in the post-World War II era with the popularity of cartoonists such as Osamu Tezuka.
had a lowbrow reputation for much of its history, but towards the end of the 20th century began to find greater acceptance with the public and in academia. The English term ''comics'' derives from the humorous (or ''comic'') work which predominated in early American newspaper comic strips; the term has become standard also for non-humorous works. It is common in English to refer to the comics of different cultures by the terms used in their original languages, such as ' for Japanese comics, or ''フランス語:bandes dessinées'' for French-language comics. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. The increasing cross-pollination of concepts from different comics cultures and eras has further made definition difficult.
==Origins and traditions==


Manga Hokusai.jpg|''Manga''
Hokusai, early 19th century
Toepffer Cryptogame 13.png|''フランス語:Histoire de Monsieur Cryptogame''
Rodolphe Töpffer, 1830
AllySloper.jpg|Ally Sloper in ''Some of the Mysteries of Loan and Discount''
Charles Henry Ross, 1867
Yellow Kid 1898-01-09.jpg|''The Yellow Kid''
R. F. Outcault, 1898

The European, American, and Japanese comics traditions have followed different paths. Europeans have seen their tradition as beginning with the Swiss Rodolphe Töpffer from as early as 1827 and Americans have seen the origin of theirs in Richard F. Outcault's 1890s newspaper strip ''The Yellow Kid'', though many Americans have come to recognize Töpffer's precedence. Japan had a long prehistory of satirical cartoons and comics leading up to the World War II era. The ukiyo-e artist Hokusai popularized the Japanese term for comics and cartooning, ', in the early 19th century. In the post-war era modern Japanese comics began to flourish when Osamu Tezuka produced a prolific body of work. Towards the close of the 20th century, these three traditions converged in a trend towards book-length comics: the comics album in Europe, the in Japan, and the graphic novel in the English-speaking countries.
Outside of these genealogies, comics theorists and historians have seen precedents for comics in the Lascaux cave paintings in France (some of which appear to be chronological sequences of images), Egyptian hieroglyphs, Trajan's Column in Rome, the 11th-century Norman Bayeux Tapestry, the 1370 ''フランス語:bois Protat'' woodcut, the 15th-century ''ラテン語:Ars moriendi'' and block books, Michelangelo's ''The Last Judgment'' in the Sistine Chapel, and William Hogarth's 17th-century sequential engravings, amongst others.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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